Logical Sequence?
You think its time you moved to something more serious
to put your musical ideas together and produce a decent
recording, but making a logical move in this direction
doesn't seem that simple. There is a war out there
among DAW manufacturers and their avid supporters
as to which one is the best! You can't seem to differentiate
between a sequencer, audio editor and a digital audio
workstation! If this is a familiar situation, the
following review might help you to better understand
one of the contenders, Logic Pro 7 from Apple.
Since its earlier days as Emagic-Logic,
Logic has undergone significant changes under the
current Apple parentage. Those of you who knew Logic
from its earlier days may note that from a powerful
sequencer it has emerged into a Digital Audio Workstation
and Apple rightly calls it Logic Pro.
For this review, I used Logic Pro
7 installed on a MacBook Pro 2.0 running Mac OS
X 10.4.9 and 1.5GB RAM, while the minimum requirement
is G4 or above with OS 10.3 or later, 512MB RAM
and 4GB disc space. Installation was trouble free
from the DVD and once launched, the set-up assistant
guided me through the various preference settings.
For a first timer, some of the settings may seem
alien, a pointer that this software needs you to
have some serious audio knowledge to master it.
Logic had no trouble in accepting
either the built-in sound card or M-Box
2 pro audio interface or EMU
X-Board 25. Logic Pro 7, being from the
Apple stable is compatible with GarageBand and Apple
Loops. Good news for those who are looking to upgrade
from GB. I started by opening a GB project and it
appeared as a Logic session. As one would expect,
the main workspace in Logic is the arrange window.
The track parameters can be viewed and modified
from the track mixer, which has a more familiar
mixing console look and feel and routing is simple
and intuitive.
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| Logic
Workspace |
As you get deeper into the workflow,
you encounter one too many different windows popping
up for various tasks with their own menus. This
could seem like a clutter, and perhaps one reason
to dislike the interface. However, Logic has something
they call Screensets to alleviate this scenario.
Screensets allow you to store and recall favourite
screen views using the number keys on your keyboard.
Logic is shipped with an
impressive collection of more than 70 Plug-ins,
1000 Apple loops and 1100 samples. It also features
an array of impressive software instruments and
samplers like the EVB3, EVP88 and EXS24. In fact,
Logic is perhaps the only application in its category
that ships with everything under their belt as standard
feature. With similar applications, you may have
to buy extra instruments and plug-ins for a comparable
configuration. This makes Logic an excellent tool
to teach synthesis and music design.
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| Sculpture
Modelling Synthesizer |
Logic also has a score feature
that will allow you to create, edit, and export
music in the form of scores. It is not a match for
Finale or Sibelius, but does its part fairly well.
Extensive MIDI editing can be done via the Matrix
edit and MIDI events list. You can also define environments
to better manage your workflow, but this should
be looked at as a power user feature.
Logic supports video and surround
sound. Sweet. Think, when you are considering a
surround project with the awesome software instruments
and samplers and probably video, you are thinking
way too far from the minimum system requirements
we talked about. Instruments like Sculpture and
EXS24 are DSP hogs! Apple has devised a clever technique
of distributed processing via standard gigabit Ethernet
enabled G4s or G5s that are connected together.
This means you could offload some DSP tasks to another
Mac in your network. Obviously there is latency
involved so not a smart thing during recording.
Logic has some neat audio
plug-ins and effects including a pitch corrector,
a Guitar Amp simulator, extensive metering and analysis
tools and linear phase EQ among many others. Mixing
and automation is very much like other DAWs and
Logic accepts most third-party plug-ins. A mastering
application called WaveBurner is also bundled.
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| Guitar
Amp Pro |
Now you probably know where we
are heading. Yes, Apple's total logical solution
for music. However, this very intention has made
it a bulky program to master and use. You will notice
that as features got added on to an existing program
to take a different direction, the means and terminology
used contributed some degree of difficulty and confusion.
For e.g. in Logic, SPL is Song Position Locator
and not Sound Pressure Level, Cycle a region means
loop it, while loop means something else.
Logic is a Mac only application,
either limiting or forcing users to go Mac. There
is also a shortage of well-developed getting started
material such as videos, tutorials etc. Apple has
a training program for Logic, which is expensive
and not available locally in many countries. Not
an advantage for many prospective users. This coupled
with the learning curve and slightly complex user
interface, Logic Pro 7 could be a challenge to master
for beginners, especially for those musicians with
very little experience in professional audio software.
Technical support is available from Apple and there
is also a users forum.
Having said that, you will not
find another application that will offer you all
that Logic can offer, and it comes at a very affordable
price. Logic Pro 7 was retailing at US$999. Academic
pricing is available for students, academicians
and schools. Apple released Logic Pro8 recently
and it is now part of the Logic Studio bundle and
is priced at US$499. Upgrades are available for
US$199. An absolute value for money! Logic can be
bought from local Apple dealers or from the Apple
store online.
Logic Pro 7 is a little bit of
everything, it is a great sequencer, functions fairly
well as a DAW, and has notation capabilities and
some CAI value. Equally likeable and difficult at
the same time, so I'd give a score of 7 out of 10
for Logic Pro7.